Greenwash spill at the BP-sponsored National Portrait Gallery

On Tues­day night (22 June 2010) at 6.07 PM the Lon­don brigade of the Green­wash Guer­ril­las got a call from a pan­icked pedes­tri­an out­side the Nation­al Por­trait Gallery.

BP Portrait Gallery greenwash guerrillasOn Tues­day night (22 June 2010) at 6.07 PM the Lon­don brigade of the Green­wash Guer­ril­las got a call from a pan­icked pedes­tri­an out­side the Nation­al Por­trait Gallery. It seemed that the prize­giv­ing cer­e­mo­ny for BP Por­trait Award was about to start, and tox­ic green­wash had begun to gush uncon­trol­lably from the gallery’s front doors.

Arriv­ing on the scene, armed with the lat­est in green­wash detect­ing equip­ment and wear­ing pro­tec­tive bio­haz­ard suits, the Guer­ril­las
imme­di­ate­ly iden­ti­fied sev­er­al sources of the leak. Green­wash lev­els appeared to be the strongest any­where a bright green BP logo was to be
found: from the mas­sive ban­ners fronting either side of the grand entrance, to the micro­scop­ic embroi­dery on a secu­ri­ty guard’s lapel. The
Guer­ril­las were giv­en the run-around by gallery secu­ri­ty and the Met­ro­pol­i­tan police, who escort­ed Britain’s cul­tur­al estab­lish­ment into
the awards cer­e­mo­ny first at the front, then around the side, then back at the front entrance again. By 7 PM, every­one had con­vened at the front entrance, and the Guer­ril­las set to work to con­tain the leak, quar­an­tine the area, and warn atten­dees against enter­ing the build­ing.

Many clean-up efforts were tried, from throw­ing golf balls and old tires at the leak to try­ing to plug it with mud, but for some rea­son the spill just kept gush­ing. Mean­while, some Guer­ril­las attempt­ed to arm the atten­dees – most of whom, inex­plic­a­bly, were deter­mined to enter the
con­t­a­m­i­nat­ed build­ing – with infor­ma­tion about BP, oil indus­try spon­sor­ship of the arts, and the best way to pro­tect them­selves from
green­wash.

Despite the best efforts of the Guer­ril­las, green­wash unfor­tu­nate­ly con­tin­ues to spew forth from the BP-spon­sored Nation­al Por­trait Gallery
and count­less oth­er oil-spon­sored arts insti­tu­tions across Lon­don. But resis­tance is grow­ing, and this sum­mer might just be remem­bered as the
tip­ping point in the cam­paign to free art from oil.

More info:
http://www.risingtide.org.uk
http://www.artnotoil.org.uk

WHAT’S THE PROBLEM?
BP’s spon­sor­ship of the Nation­al Por­trait Award is green­wash – a way of clean­ing up BP’s tat­tered pub­lic image and cov­er­ing up its shock­ing
envi­ron­men­tal and human rights record.

Green­wash is as tox­ic as oil. With it, BP buys our approval, and hopes we’ll for­get about the gush­er in the Gulf, the 300 000 lives already lost each year due to cli­mate change, and the fact that the com­pa­ny is poised to enter the Cana­di­an tar sands – the most destruc­tive project on earth.

Every pound the Nation­al Por­trait Gallery accepts from BP is taint­ed. In response to chang­ing pub­lic opin­ion, cul­tur­al insti­tu­tions even­tu­al­ly
decid­ed that it was no longer in their best inter­ests to take mon­ey from the tobac­co indus­try. It’s high time we kicked Big Oil out of our
gal­leries too.

Check out a bril­liant video here:
http://www.youtube.com/watch?v=-adx5mS2klA

london@risingtide.org.uk
http://www.risingtide.org.uk