One day early: With classical music against nuclear power: “Musical inspection“ on the site of the fine storage site in Gorleben

8th August 09.

Today at 10:30am 60 musi­cians from the action group “Lebenslaute”, packed with instru­ments and music stands, climbed the four meter high wall around the site of the planned final stor­age site in Gor­leben (Ger­many) and began a protest con­cert with main­ly clas­si­cal music.

Lebenslaute on the site of the final storage site in Gorleben8th August 09.

Today at 10:30am 60 musi­cians from the action group “Lebenslaute”, packed with instru­ments and music stands, climbed the four meter high wall around the site of the planned final stor­age site in Gor­leben (Ger­many) and began a protest con­cert with main­ly clas­si­cal music.

The musi­cians sur­prised with their action, orig­i­nal­ly announced for Sun­day. With this “musi­cal inspec­tion” the activists protest against the con­tin­ued oper­a­tion of nuclear pow­er plants and against the con­tin­ued explo­ration of the salt mine in Gor­leben for use as a final nuclear stor­age site.

“The dis­cus­sion about nuclear pow­er is about the live of com­ing gen­er­a­tions, but the pub­lic does not take the dan­ger seri­ous­ly enough”, says Berthold Keu­necke, a protes­tant priest from Her­ford and one of the spokesper­sons of Lebenslaute. Today we over­came the fences and walls of Gor­leben, to effec­tive­ly protest against nuclear tech­nol­o­gy which is threat­en­ing our lives. We want to awak­en, pro­voke, drama­tise — and we all, each one of us indi­vid­u­al­ly, stand up for this provo­ca­tion.”

“The nuclear lob­by wants to con­tin­ue the work to turn salt dome in Gor­leben into a final stor­age site, although the scan­dals around the salt mine Asse final­ly made clear, that Gor­leben too is not save”, declares Kat­ja Tem­pel, mid­wife and Lebenslaute spokesper­son from the Wend­land. “In the light of the unsolved ques­tion of the final stor­age of nuclear waste, we demand an end to the pro­duc­tion of nuclear waste, that is the shut­down of nuclear pow­er sta­tions. The use of renew­able ener­gies has to be pro­mot­ed.”

Under the slo­gan “A‑Moll statt A‑Müll” (A‑minor instead of A(tomic)-waste” a var­ied and ambi­tious pro­gramme for choir and orches­tra is being per­formed: the works of Georg Philipp Tele­mann, Willy Burkhard and Fan­ny Hensel, per­formed by “Lebenslaute” cele­breate the beau­ty of nature, which is to be pre­served. As an accu­sa­tion and call for urgent action against the dead­ly dan­gers of nuclear ener­gy, “Lebenslaute” will per­form Hein­rich Schütz’ Choral „Wie nun ihr Her­ren, seid ihr stumm” (What now, you men, are you silent), as well as parts of sym­pho­ny No 101 “Die Uhr” (The clock) by Joseph Haydn and a choir ver­sion of “It‘s my life” (Bon Jovi). Cham­ber music in dif­fer­ent instru­men­ta­tions con­cludes the con­cert.

“The music is an expres­sion of the ener­gy of dif­fer­ent gen­er­a­tions. With this, our action fits well into the broad spec­trum of cre­ative resis­tance in the Wend­land”, explains Katha­ri­na Dehlinger, Lebenslaute activist from the coun­ty of Pader­born. “It is bet­ter that live­ly music comes through the walls and fences of the mine in Gor­leben, than dead­ly nuclear radi­a­tion. The salt dome in Gor­leben is not suit­able for a save final stor­age of nuclear waste. The project has to be aban­doned.”

With the com­bi­na­tion of actions of civ­il dis­obe­di­ence and main­ly clas­si­cal music the ini­tia­tive “Lebenslaute” has been rais­ing aware­ness for wrongs in soci­ety for more than 20 years. The ini­tia­tive includes polit­i­cal­ly active musi­cians from all over Ger­many.

Up-to-date pho­tos (also in print­ing qual­i­ty) will soon be avail­able at http://www.lebenslaute.net